Selection of Subjects for Documentary Portrait Photography (Part 2)

   In the first part of   , we shared some shooting principles and camera selection for documentary portrait shooting. In this article, we will learn about some lens choices on the premise of choosing a good body.

  1. The type of lens suitable for shooting documentary portraits at close range

  For documentary humanities In terms of subject matter, the traditional 35mm focal length and 28mm focal length are both focal lengths that photographers love. The focal point of this series is also called the humanistic focal point. The impact of the human perspective is not only from the composition close to the visual distance of the human eye, but also from enriching the content of the picture in a small scene, accommodating as much picture information as possible, and increasing the visual impact. Highlight the focus of the picture.

Selection of Subjects for Documentary Portrait Photography (Part 2)

  Nikon official proofs

   such as AF-S NIKKOR 35mm f/1.8G ED. Since the 35mm focal length is not much different from the visual distance of the human eye, it is very popular with photographers in street photography and humanities and other shooting subjects. This focal length is also commonly used in documentary portrait photography, especially urban subjects. As a small and light lens, 35mm is one of the most popular lenses in urban photography.

Selection of Subjects for Documentary Portrait Photography (Part 2)

  Nikon official proofs

   However, for documentary subjects, due to the real-time requirements of the lens, the scene The change is relatively faster. In the selection of the lens, the zoom including the focal length of the human perspective is also a factor worth considering. In view of the complex and changeable scenes of documentary subjects and transient pictures, lenses such as AF-S NIKKOR 24-70mm f/2.8E ED VR will be more convenient in documentary portrait shooting, and the focal length is included. Humanistic sight distance from 28mm to 50mm. At the same time, it has a constant maximum aperture of f/2.8, which can control photography of this kind of subject well.

Selection of Subjects for Documentary Portrait Photography (Part 2)

  Nikon official proofs

  As a zoom lens, it is not easy to produce bottlenecks in the shooting process. In the case of inaccessible shooting positions, the AF-S NIKKOR 24-70mm f/2.8E ED VR can also perform a certain zoom extension, and a constant maximum aperture of f/2.8 can also ensure the amount of light in low light conditions , To ensure the necessary depth of field blur effect. As for whether to choose zoom or humanistic fixed focus, it depends on the subject matter of your shooting.

  2. Lenses suitable for shooting documentary portraits at a distance

  It usually appears in scenes such as shooting meetings and capturing close-ups. Photographers often do not come into close contact with the subject, and use a telephoto lens to shoot at a long distance to reduce the interference to the subject and shoot more natural portraits. In addition, it can also increase the sense of spatial compression, reduce the interference of cluttered content on the screen to a certain extent, and highlight the key points. In consideration of venue and space, choosing a zoom lens from medium to telephoto in this case will make shooting more convenient.

   Among the lens groups of NIKKOR lenses, AF-S NIKKOR 70-200 f/2.8 FL ED VR lenses will be more suitable for this subject matter. In terms of focal length, this lens includes medium telephotos from 70mm-200mm, 70mm-100mm focal lengths can be adapted to medium focal portrait close-ups, and 135mm-200mm telephotos can be used for long-distance close-up shooting. At the same time, the anti-shake function of the lens also helps us to image during the shooting of documentary portraits.

Selection of Subjects for Documentary Portrait Photography (Part 2)

   Nikon official proofs

   documentary portraits on the whole will not be too far away from the subject. But specific to the shooting scene, because the environment will be more complicated, there are often some bottlenecks in the perspective. Therefore, it is necessary to step on the spot in advance, confirm the lens applicable to the scene, and prepare for the recording event. When shooting, ensuring the state of the camera is a prerequisite for capturing the wonderful moments of the characters. Combined with the specific scenes used, lenses with different focal lengths can give full play to their own characteristics, which is mainly determined by the photographer based on his own experience.

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