Look at the ancient style portrait advanced gray toning method from stills

   If you are a friend who likes to take antiquity or want to take antiquity portraits, then you must be curious about how the colors of those antiquity portraits on the Internet are adjusted. We can analyze a wave with Fuyao’s stills.

Look at the ancient style portrait advanced gray toning method from stills

   Take this as an example, I use the straw tool to get it When it comes to the four most obvious colors in the picture, let’s talk about the first essence of the ancient style: harmony and unity of colors. You can tell with your naked eye that these four colors are actually very close. How close are they? Look at the picture below:

  The position of these 4 colors in the color picker is shown in the picture. Among the many colors in the hue bar on the right, these 4 colors can be displayed in the same interface, which is the feeling of being born in two pairs. So this comes to the point of an ancient tone, that is to make the picture not have too many abrupt colors, and the tone and direction of all colors are as unified as possible.

Look at the ancient style portrait advanced gray toning method from stills

  BUT, let’s look at the following one:

Look at the ancient style portrait advanced gray toning method from stills

   I have extracted 4 main colors from it, this time the first three The two colors are still harmonious and unified, but the fourth one actually appeared red? what? A seemingly discordant red appeared in the turquoise picture of Yishui. Is this the first one to slap me?

  Of course not. Take a closer look. This red is not a normal big red. There are some mysteries in it. Look at the picture below:

Look at the ancient style portrait advanced gray toning method from stills

   I created a new pure red picture in PS, and then adjusted the optional color to get a picture that is basically the same as the picture above Color, let’s take a closer look at the adjustment of the red channel among the optional colors. In order to let everyone better understand the optional colors, I marked the adjustment direction of the optional colors for the four colors of red, green, blue and white with green words. It can be found that the red in the stills is cyan, green, and blue added to the normal red in the stills. If you look at the stills, do the main tones in the picture include cyan, green, and blue? That’s right, even if it blends in a very jumping red, it must be more biased towards the other colors in the picture. This is the key point in the ancient style portrait color correction. Try to unify the color of the picture. In fact, this method also has A more advanced term is “advanced gray”. Advanced gray is not a process that many people understand to process the photo into a black and white tone, or the gray is not transparent, but to make the picture These colors are more coordinated, and even red and green can be matched with advanced feeling, then let’s demonstrate the post-grading process of a photo in actual combat, and use a relatively simple method to call up a “high-grade gray” ancient style portrait.

Look at the ancient style portrait advanced gray toning method from stills

   First look at the comparison between the original film and the finished product. This Most of the secondary adjustments are only for the tonal tone of the screen, and there is no secondary composition or synthesis. Let’s take a look at the decomposition action:

  1, simple dermabrasion liquefaction

Look at the ancient style portrait advanced gray toning method from stills

  Since it’s a portrait work, you have to deal with your skin and face shape. I didn’t use too many repair tools or stamps. It was basically finished in neutral gray. Toning is the key point, so I won’t talk about skin resurfacing.

  2, preliminary adjustment of various colors in the screen

Look at the ancient style portrait advanced gray toning method from stills

   I adjusted the more obvious red, green, and yellow in the picture. First, I used the optional color tool. The directions were actually the same, adding blue, subtracting yellow, and adding black.

Look at the ancient style portrait advanced gray toning method from stills

   also add some very eye-catching colors in the picture Removed, use the hue saturation to lower the overall saturation, then reverse the mask, and wipe out the areas that need to be decolorized. The above two operations can get this contrast effect:

Look at the ancient style portrait advanced gray toning method from stills

  3. Further adjust various colors in the screen

Look at the ancient style portrait advanced gray toning method from stills

   This time use the Hue Saturation Tool to lighten all the three more obvious colors that have been adjusted just now. The saturation is reduced and the brightness slightly increased. The comparison of this step adjustment is as follows:

Look at the ancient style portrait advanced gray toning method from stills

   Don’t think that you can’t see any changes. Look carefully, there are changes. I have to say one more thing here. The color correction work in the later stage of photography must be a meticulous, slowly adjusting process, and every step is clear. Purpose, if in order to save trouble, use a tool to click to adjust a greatly changed color tone, the effect is often not satisfactory.

  4. Unify the tones of the picture

Look at the ancient style portrait advanced gray toning method from stills

   In this step, the hue is unified. I still use the hue saturation, but pay attention to check the “coloring” option. In order to achieve the final cooler effect, I chose blue. Here also pay attention to this hue saturation For the adjustment layer of high degree, the blending mode needs to be changed to soft light, and the opacity of the layer should be appropriately reduced.

  5. Adjust the highlights and shadows of the screen separately

Look at the ancient style portrait advanced gray toning method from stills

   This step is to use the color balance tool to color the shadows and highlights, add red and blue to the shadows, and reduce the red and blue in the highlights and shadows. The purpose of this is to make the picture after the uniform tone There are also a wealth of color levels. This knowledge has been explained in detail in the PS system training camp.

Look at the ancient style portrait advanced gray toning method from stills

   then adjust the white and black with optional colors , Add cyan for white and reduce cyan for black. The purpose is actually the same as the above color balance, but the effect will be a bit different. The two comprehensive adjustments compare the effect of the previous step as follows:

Look at the ancient style portrait advanced gray toning method from stills

  6, add vignetting, add smoke

   The last step is to add a vignetting, There are many methods here. ACR can also be used to adjust the vignette. You can also add a curve and wipe it with a mask. My habit is to add a pure black layer, then lower the opacity, and use a gradient to stretch the mask around.

Look at the ancient style portrait advanced gray toning method from stills

   The operation of adding smoke is simply to create a new blank layer. Then add filter-render-clouds, and then enlarge the clouds appropriately, change the layer blending mode to filter color, it is a simple smoke effect, and finally the mask is simply wiped out and the character is finished. Finally, let’s see the adjustment is completed The contrast effect:

Look at the ancient style portrait advanced gray toning method from stills

  The colors of the picture are adjusted to be more coordinated, so that the green and red are biased towards the final cool tone of the whole picture. The color palette of an ancient portrait is completed, how about?

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